'NO MAN'S LAND' (London Contemporary Dance / Robert Cohan)
....with the considerable help of the dramatic lighting. (Dancing Times)
What stood out considerably, was the skillful interaction of music, lighting and costume. (Daily Telegraph)
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'LES SYLPHIDES' (Nureyev / London Coliseum)i)
....unorthodox, well judged, daring and different lighting worked to enhance the work to a very high degree. (John Percival The Times)
'WUTHERING HEIGHTS' (Cambridge Theatre Company / Ted Craig)
....the lighting is (literally) spot on, when blending times and places into a seemless story-line. (Fnancial Times)
'DANCE FOR NEW DIMENSIONS' (Rambert / Crucible Sheffield)
Richard Caswell pushes the theatre's equipment to more dramatic
extremes than has been attempted in the theatre. (Sheffield Telegraph)
Arguably, the very best lighting to be seen in this theatre,
or in any theatre. (BBC Sheffield)
'GASLIGHT' (Horseshoe Basingstoke / Guy Slater)
....however, the triumph of the evening is Richard Caswell's. He does
a marvelous job, the atmosphere created, is a miracle of terror. (Basingstoke Gazette) text.
'HANDS' (Royal Winnipeg Ballet / Paddy Stone)
The lighting helped enormously to create the right atmosphere. (Winnipeg Press)
This fabulous work deserved the high quality lighting it received from the Lighting Designer,
very impressive and so apt in each section, the lighting built to such an extent, I was breathless. (Ottowa News)lick here to add
'GAME PIANO' (Birmingham Royal Ballet)
Richard Caswell's lighting gave the work rare elegance. (Dance And Dancers)Click here
'JOSEPH..........' (Nuffield Southampton / David Gilmore)
Richard Caswell's lighting is wicked, witty and wonderful. If anything can make excuses for this script and get away with it, then Caswell's fairground flickering effects hype up the scene and make it almost plausible. (BBC Solent)
'DON QUIXOTE' (Norwegian Ballet Oslo / Nureyev)
Well calculated light-designs give fine effect. (Oslo Aftenposten)
Excellent co-ordination with Nadine Baylis's design, the lighting creates beautiful expression and atmosphere. (Daghladet)
Between Nadine Baylis's designs and Richard Caswell's lighting, they provide beautiful pictures. (Nationen)lick here to add your text.
'SUMMER AND SMOKE' (Nuffield Southampton / David Gilmore)
....heavy, heady South American feel created by stunning lighting. (Southampton News)
Richard Caswell has achieved another great success. (BBC Solent)l
Richard Caswell's stunning lighting created the hot, lingering images of sunstruck Glorious Hill in this tremendous production. (Claudia Sherwood - The Stage) ick here to add your
'RAMBERT AT THE YOUNG VIC'
Dressed by Nadine Baylis and lit by Richard Caswell, the Company look beautiful. (The Stage) text.
(Grand Theatre Blackpool / Producer)
Who said variety was dead? ....miraculously pulled together....delightfully mixed and matched evening. (Robin Duke - The Stage)
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Is Camp!
'TEA WITH THE OLD QUEEN' (King's Head Islington - 10 / 5 / 2010)
Lighting, Sound and Video Effects were superb and the entire team must be wholeheartedly congratulated. (Remotegoat.co.uk)
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